About
Artist Statement
Spaces are living entities. They have histories and stories (Ge-schichten). Space is my primary resource for my sculptural installations. I interpret its materiality, its history, and its absences, from which my material explorations emerge. What I use, how I shape, what I work with: space is the foundation. Whilst most works are created as site-specific pieces, they can generate new tensions in various spaces.
My installations are adaptive and modular. They highlight the apparent contradiction between exchangeability and originality: just as a floor covering is mass-produced yet must be adapted to each individual space, the modules become specific objects through their particular context.
I am interested in what spaces assert and how this assertion is constructed. In doing so, I employ architectural, domestic and industrial aesthetics and negotiate an ambivalence between value and materiality. Sometimes I use found materials and deconstruct them. At other times, however, I also translate materials into the language of the existing space. In both cases, I respond to what is already there. What appears to have a function no longer serves one in the finished work.
Spaces are never neutral and refuse to remain blank. Through their spatial presence and large scale, the works invite physical engagement and suggest that spaces speak – and are heard, read and reinterpreted by those who move within them.
Caught between playfulness and menace, between architectural intervention and fragile materiality, my works are simultaneously precise spatial analyses and ephemeral interventions.
*1997 in Leipzig.
Solo Shows / Interventions
2025
“Prestige IV”, intervention at Hotel Gut Haferkorn
“Valencia [Marmorbad]”, intervention at Marmorbad (Orangerieschloss), Hessen Kassel Heritage, Museen – Schlösser – Parks
2022
“Prestige”, Matjö Raum für Kunst, Kulturwerk des BBK Köln e.V., Cologne (DE)
2021
“Prestige”, Stellwerk Kassel (DE)
Group Shows (selected)
2026
“AUFTAKELN, abtakeln” Galerie Drei, Dresdner Sezession e.V., Dresden, currently
„Neupräsentation der Modernen und Zeitgenössischen Kunst“, Museum Wiesbaden, curated by Dr. Jörg Daur, currently
2025
“Departures”, Galerie Gewandhausstraße, HfBK Dresden, curated by Sim Chi Yin
“Stipendium 4.0”, Museum Wiesbaden (DE), curated by Valerie Ucke and Dr. Jörg Daur
2024
“Die Pflanze durch den Asphalt – EXAMEN 24”, documenta Halle Kassel (DE), curated by Philipp Lange
“Jour Fixe Klasse Slotawa”, Tor 40, Güterbahnhof Bremen
2023
“Too Many Dinner Parties”, Edel Extra Nürnberg (DE)
“INSEL”, Wirkbau Chemnitz (DE), Zentrale für Kunst e.V.
“Too Many Dinner Parties”, Pop Up Galerie AVU, Prague (CZ)
“KOKON”, UG Halle 14, Spinnerei Leipzig, Zentrale für Kunst e.V.
2022
Gabriel Loci, Prague (CZ), NUR.Prague
Art Prague, Prague (CZ)
Lumbung Lounge at Stellwerk Kassel (DE), curated by Guerilla Architects and Along the Lines
2021
Galeriefest Kassel (DE)
2020
Galeria Kollektiva, Kassel (DE)
Public Collection
2025
“Display” is represented in the collection of Museum Wiesbaden, hessisches Landesmuseum für Kunst & Natur
Stipends
2025
nominated Vordemberge-Gildewart-Stipend
2023
ERASMUS Stipend, Angewandte Wien (AT)
2021 – 2022
ERASMUS Stipend, AVU Prague (CZ)
Education
2025
Hochschule für Bildende Künste Dresden
Meisterschülerin, Prof. Monika Brandmeier
2017 – 2025
Kunsthochschule Kassel (DE)
Studio Slotawa, Sculpture/Space
Visual Communications
2023
die Angewandte, Universität für Angewandte Kunst Wien, Vienna (AT)
Site-Specific Art Department, Head: Paul Petritsch
2022
AVU, Akademie výtvarných umění v Praze, Prague (CZ)
Studio Intermedia I, Milena Dopitová
klara.schnieber@gmx.net
Instagram: @klaraschnieber
photo: Märie C. Fricke
Index photo: documenta Halle Kassel, Dec 2024; photo: Klara Schnieber
© All rights reserved Klara Schnieber 2026 / VG Bild Kunst